Opera is part of the Western classical music tradition. It started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence in 1598) and soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe (except France), attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro (Le Nozze Di Figaro), Don Giovanni, and Così fan tutte, as well as The Magic Flute (Die Zauberflöte), a landmark in the German tradition.
According to Opera Software, the browser had more than 350 million users worldwide in the 4th quarter 2014. Total Opera mobile users reached 291 million in June 2015. Opera has been noted for originating many features later adopted by other web browsers. A prominent example is Speed Dial.
Opera began in 1994 as a research project at Telenor, the largest Norwegian telecommunications company. In 1995, it branched out into a separate company named Opera SoftwareASA. Opera was first released publicly with version 2.0 in 1996, which only ran on Microsoft Windows. In an attempt to capitalize on the emerging market for Internet-connected handheld devices, a project to port Opera to mobile device platforms was started in 1998. Opera 4.0, released in 2000, included a new cross-platform core that facilitated creation of editions of Opera for multiple operating systems and platforms.
Opera is the debut studio album of Richard Dorfmeister and Rupert Huber's electronic music project Tosca. It combines new material and previously released singles, including "Chocolate Elvis". "Irresistibly funky" (BBC), "the blues, and the thick sultry bass, makes it as sexy and melancholy as cigarette smoke after a one-night stand in a strange city" (Mixmag). It is "one of the few sure things in a modest genre" (Sasha Frere-Jones, LA Weekly).
Fuck Dub, Pts. 1 & 2 – 8:55
Amalienbad – 1:28
Worksong – 6:00
Gimmi Gimmi – 4:45
Ladies + Gentlemen – 0:20
Chocolate Elvis – 5:00
Ambient Emely – 8:05
Postgirl – 4:25
Listen My Friend – 1:04
Buona Sarah – 10:10
All tracks written by Richard Dorfmeister and Rupert Huber.
Giuseppe Fortunino Francesco Verdi (Italian:[dʒuˈzɛppe ˈverdi]; 10 October 1813– 27 January 1901) was an Italian composer of operas.
Verdi was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti and Rossini, whose works significantly influenced him, becoming one of the pre-eminent opera composers in history.
In his early operas Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi however did not seek to ingratiate himself with popular movements and as he became professionally successful was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893).
“He helped show that opera is indeed for everyone ...Duncan went on to have a substantial career in opera, being the first African-American to sing the role of Tonio in New York CityOpera’s production of “I Pagliacci,” Escamillo in “Carmen,” and Rigoletto in Verdi’s opera of the same name ... It is undoubtedly an important, historic American opera.
It’s another project by the New York-based HeartbeatOpera to make the art form accessible and relevant, said director Ethan Heard, who co-founded the company ... Over its first six seasons, Heartbeat Opera had produced works from only white composers and librettists including Verdi’s “Macbeth” and Mozart’s “Don Giovanni.” ... (Heartbeat Opera).